There's an attempt to reach out, to understand, but a separation exists between who she truly is and the various roles she assumes. This circles back to the opening image of the film, where a child inside a morgue reaches out to a projected image of a woman who looks like Elisabet/Alma. This persona of retreating from the world is her armor against artistic accountability.Įlisabet, a tortured artist who refuses to conform to the expectations of motherhood, deliberately others herself from everyone, including her own child. In contrast, Elisabet's mute revolt, although meaningful on a personal level, does little to nourish or justify her role as an artist. ![]() A memorable scene is her reaction to Quảng Đức's self-immolation during the Vietnam war, which is a silent yet vocal act of rebellion. The most explicit vehicle for this meditation is the opening and closing sequence, in which Bergman tries to create that film as an object: a finite object, a made object, a fragile. As familiarity and contempt escalate, the two women caress in a defining, magnetic scene, resembling two halves of a whole.Īs the personal is the political and artists cannot exist in a philosophical vacuum, Elisabet interacts with real-world incidents of horror and revolt, reactions to which can never be meaningful enough. Persona is not just a representation of transactions between the two characters, Alma and Elizabeth, but a meditation on the film which is ‘about’ them. PERSONA Official Trailer (HD) Netflix Film Series JoBlo Streaming & TV Trailers 382K subscribers Subscribe 3. Thousands of extraordinary original vintage movie. Released March 6th, 1967, 'Persona' stars Bibi Andersson, Liv Ullmann, Margaretha Krook, Gunnar Bjrnstrand The movie has a runtime of about 1 hr 23 min, and received a user score of 83 (out of. This displacement of anger, which she directs at the mute other, culminates in the boiling water scene, causing Elisabet to momentarily break her vow of silence. Explore our collection of original Persona movie posters online and in Los Angeles FilmArt Gallery. troubled women and exploring the sensitive movements of their minds in his new Swedish film, Persona, which came to the Festival Theater yesterday. One is a successful actress, evidently in her mid-thirties, named Elizabeth Vogler (Liv Ullmann). On the other hand, Alma perceives Elisabet as her sole confidant and mirror, which leads to her recounting a salacious orgy and subsequent abortion that still elicits shame and guilt. According to this account, Persona tells the story of two women. After a certain point, it becomes unclear where Elisabet starts and Alma ends, and vice versa, although the catalyst behind this enmeshing is crystal clear.Įlisabet, through her self-imposed muteness, sheds every role expected of her: she no longer has to wear masks when she acts on stage, or pretend to be a doting mother for a child she secretly abhors. ![]() There, Alma and Elisabet start merging into one another, to the point that their trajectories - although wildly different - echo and mirror one another. ![]() The seaside cottage, which is an intimate, secluded space cut off from the rest of the world, acts as a parallel world filled with possibilities.
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